Professor at the Department of Art Studies, Faculty of Letters, Meiji Gakuin University in Tokyo, Japan, specializing in film studies. Published writings include “Hitchcock’s Trilogy: A Logic of Mise-en-Scène” (Endless Night: Cinema and Psychoanalysis, Parallel Histories, 1999), “Reading as Woman: The Collaboration of Ayako Wakao and Yasuzo Masumura” (Reclaiming the Archive: Feminism and Film Theory, 2010), “Occupation and Memory: The Representation of Woman’s Body in Postwar Japanese Cinema” (The Oxford Handbook of Japanese Cinema, 2014), and “Kinuyo and Sumie: When Women Write and Direct” (Tanaka Kinuyo: Nation, Stardom and Female Subjectivity, 2018), and “Shiraito Redux: Text, Body, Desire from Kyoka to Mizoguchi” (A Companion to Japanese Cinema, 2022).